TEMPERED BY FIRE, COPPER ABANDONS ITS TWO-DIMENSIONAL FORM TO OCCUPY A THREE-DIMENSIONAL SPACE THROUGH HUMAN MANIPULATION. ITS FINISH REFLECTS THE MATERIAL’S JOURNEY, WITHOUT PATINAS OR POLISH.

THE TABLE, WITH CONCENTRIC HAMMERING, CREATES A SUPPORT SURFACE THAT, WHEN DUPLICATED ON ITS UNDERSIDE, SHAPES THE BASE. THE SEPARATION BETWEEN THE TWO SHEETS NOT ONLY AIMS TO DISPLAY BOOKS BUT ALSO, IN AN AESTHETIC AND DELIBERATE ACT, REVEALS THE TWO SIDES AS DISTINCT, DETACHED, SYMMETRICAL, AND IDENTICAL.